July 20, 2006

1979

A formative year, for all of the reasons listed below. And this is the year I bought my first album. Guess which one of these it was.

Without him, there'd be no Ted Leo.

Sleek and creepy.

Gritty club, pretty woman.

So many imitators, none come close.

Politics?!

We were at the beach, and everybody had matching towels....

He says he values "melody over virtuosity," but it works for me.

She may be five feet nothing, but she'll still kick your ass.

The best bridge in rock 'n roll.

Obviously more remorse for the crappy video wars.

Posted by binky at July 20, 2006 07:30 PM | TrackBack | Posted to Music


Comments

1979 seems too early for Pat Benatar - but she's who I'll guess.

Posted by: Armand at July 20, 2006 08:21 PM | PERMALINK

Not only was 1979 also the year I bought my first album, but it's on your list. Guess which one? (No hints from Baltar.)

Posted by: jacflash at July 20, 2006 08:33 PM | PERMALINK

Armand: incorrect.

Jacflash: I'm thinking you and I might have bought the same album, even though I am surprised yours wasn't the Stones.

Posted by: binky at July 20, 2006 08:50 PM | PERMALINK

Naah, I didn't really get into the Stones until the late '80s, when I was playing in bands with a couple of people who were Stones freaks. As for the album I bought, let's just say Heaven Tonight was better.

Posted by: jacflash at July 20, 2006 08:57 PM | PERMALINK

(And I'm guessing yours was Floyd?)

Posted by: jacflash at July 20, 2006 09:03 PM | PERMALINK

Dream Police. Really. I didn't acquire that taste until later. And yes, you are correct. Binky grew up on Led Zeppelin, Pink Floyd, Van Halen etc. until she discovered indie much much later.

Posted by: binky at July 20, 2006 09:21 PM | PERMALINK

I kinda went the other way. I went from Cheap Trick etc to AC/DC to Ozzy to Zep to Sabbath to Deep Purple, and thence to college where I discovered all sorts of interesting things.

Posted by: jacflash at July 20, 2006 09:25 PM | PERMALINK

See, with you, I would have guessed to start with Deep Purple. Living abroad shifted my evolution dramatically toward indie and international, but I had already been bitten by the "progressive" vibe in college (the Smiths etc). And before that the New Wave and New Romantics. I was thinking about the first five albums I owned: The Wall, Back in Black, Moving Pictures, Pyromania, Duran Duran. I went from stoner rock to "I love me some pretty androgynous boys with eye liner!"

Posted by: binky at July 20, 2006 09:46 PM | PERMALINK

And speaking of pretty androgynous boys, the cover of Heaven Tonight.

Posted by: binky at July 20, 2006 09:51 PM | PERMALINK

Well, lots of my local peers were into the New Wave stuff, so going in a different direction meant going in a different direction. Also remember that I was learning guitar at the time, and that was driving the evolution of my tastes. While I adore Rick Nielsen, in terms of guitar fireworks he really isn't fit to mop Ritchie Blackmore's floor, y'know?

Posted by: jacflash at July 20, 2006 10:09 PM | PERMALINK

Wasn't Rick Nielsen originally a bass player?

Posted by: binky at July 20, 2006 10:21 PM | PERMALINK

Jacflash wrote:

While I adore Rick Nielsen, in terms of guitar fireworks he really isn't fit to mop Ritchie Blackmore's floor, y'know?

Eh. As I grow older I seem to appreciate songwriting more than guitar pyrotechniques. While Blackmore was good (better, say, than Yngwie), I am prepared to argue that Cheap Trick wrote better songs than Deep Purple.

I suppose (being a social scientist) that I should be more precise: Cheap Trick wrote a few really, really good songs that exceed (for me) the output of only moderately good Deep Purple songs. Thus, Cheap Trick means more to me than Deep Purple.

Though, of course, Ritchie Blackmore is at the center of the Rock 'N Roll universe.

Posted by: baltar at July 20, 2006 10:44 PM | PERMALINK

Oh, and everyone should love this.

Yeah, he may owe a debt to Elvis Costello (and Joe Jackson), but he's doing OK. And Binky should have put up "Peace, Love, and Understanding".

Posted by: baltar at July 20, 2006 10:52 PM | PERMALINK

Actually, now I'm thinking it was Tom Peterssen who was a guitar player, and switched to bass.

And sorry, Peace Love and Understanding was not 1979.

Gosh. Poor Norbizness if you give him this much of a hard time over his musical ranking schema.

Posted by: binky at July 20, 2006 10:53 PM | PERMALINK

Peace, Love, and Understanding should have been 1979. That's all that matters.

And while Rush catches much shit in the blogosphere these days, The Spirit of Radio remains a great song. The fact that the album came out on January 1, 1980 makes it basically 1979. That's my line, and I'm sticking with it.

Posted by: baltar at July 20, 2006 11:05 PM | PERMALINK

Rainbow, Since You've Been Gone, 1979.

You can't escape Ritchie Blackmore.

Posted by: baltar at July 20, 2006 11:11 PM | PERMALINK

Nobody has so far. But All Mod Cons was 1978, and it's coming up next.

Posted by: norbizness at July 20, 2006 11:12 PM | PERMALINK

I'm beginning to think you're like Beetlejuice, but you only have to say your name once. :)

Posted by: binky at July 20, 2006 11:15 PM | PERMALINK

I'm holding my own "Top 100" until the 'biz finishes his. Don't want to steal his thunder, and all.

Posted by: baltar at July 20, 2006 11:16 PM | PERMALINK

Still 1979 (technically, 1978 in England): Dire Straits, Sultans of Swing.

Posted by: baltar at July 20, 2006 11:27 PM | PERMALINK

Well, the last good thing I will say about 1979, is that it was the year this man dropped out of high school to devote himself to music (and, at the time, Long John Silvers).

Posted by: binky at July 20, 2006 11:31 PM | PERMALINK

Steal away, mine is likely to be anticlimactic and disappointing for all involved. Who likes Ministry?

Posted by: norbizness at July 20, 2006 11:37 PM | PERMALINK

hah! That's what I put on in my office when I am trying to drive the grad students away from interrupting me.

Posted by: binky at July 20, 2006 11:37 PM | PERMALINK

I'm declaring "1979 Nuclear War". You may all surrender at your leisure. Journey: Lovin' Touchin' Squeezin', 1979.

Don't make me come over there.

Posted by: baltar at July 20, 2006 11:38 PM | PERMALINK

Oh, and Baltar, I know you love Rush, and I will grant you that Neil Peart bangs the shit out of his kit with those trees he uses, but check out the minimalism of the majesty that is Bonham.

Posted by: binky at July 20, 2006 11:39 PM | PERMALINK

Journey: Lovin' Touchin' Squeezin', 1979.

Foul! Foul! Red card!

This was supposed to be good, or at least influential and personally significant music. Don't even give me the argument that Lovin' Touchin' Squeezin' is any of those things.

Talk to me about "significant" and "Journey," and I'll reminisce about Open Arms, junior high school dances, and my first boyfriend who looked just like Ben Orr from The Cars. Now that's significant.

Posted by: binky at July 20, 2006 11:43 PM | PERMALINK

I lied: one more. Meatloaf: Bat Out Of Hell.

Pompous. Serious. Operatic. Silly. If this isn't 1979, I don't know what is.

Posted by: baltar at July 20, 2006 11:45 PM | PERMALINK

Red card! RED MOTHERFUCKING CARD!

Posted by: binky at July 20, 2006 11:46 PM | PERMALINK

Yeah, Baltar dude, Meat Loaf is foul territory.

Oh, and re Purple: I've been getting back into guitar playing lately, and in search for something to motivate me to work on technique have been revisiting DP. (You know I've been playing Lazy wrong for 21 years?) You're right that they never wrote a pop song to stand with, say, 'Surrender', and they weren't exactly studio wizards, either. Really, they were all about the live shows. The songs were just jam platforms. The best ones (Highway Star, Lazy, much of In Rock) were worked up in live shows long before they were recorded.

A lot of their studio stuff sounds dated now, but Made in Japan still blows me away.

Posted by: jacflash at July 21, 2006 07:47 AM | PERMALINK

It really is too bad you aren't local... we have been semi-thinking about activating Bloodless Coup the band. We even went to far as to make a couple of CDs of covers for initial practice. And, I have seen Baltar's bass. It is quite the thing of beauty.

Posted by: binky at July 21, 2006 09:19 AM | PERMALINK

Which bass? The Guild? That was a really nice instrument.

It is too bad we're not geographically closer. I even -- for the first time in ten years or more -- have an amp big enough to gig with. A friend is trying to drag me into his blues band, but I'm kind of feeling done with white boy blues crap. (In fact, that's why I started my project of learning Purple songs -- I picked up my guitars and found myself in the same SRV-retread rut I was in in 1994, and felt I needed to do something completely different to shake it off.)

Posted by: jacflash at July 21, 2006 10:17 AM | PERMALINK

I don't know from basses, but it's burled wood?

Posted by: binky at July 21, 2006 10:41 AM | PERMALINK

Yeah, that sounds like the Guild.

And if we want 1979-vintage guitar fireworks, you really can't top these guys.

Posted by: jacflash at July 21, 2006 10:59 AM | PERMALINK

The Guild is "Flame Maple", or so I ordered it.

I looked up VH for the 1979 stuff, but the only album of theirs that came out in 1979 was II, and that's not my favorite. Not a bad song, however.

Posted by: baltar at July 21, 2006 12:30 PM | PERMALINK

The top twenty... I knew he'd come through with some Flaming Lips action. Good taste will out.

And 40% of that list was the line-up that took me to Coachella 2004. And I've got a 70% percent ownership match with that segment.

Posted by: binky at July 21, 2006 01:01 PM | PERMALINK

40% of 11-20? Really?

Posted by: Armand at July 21, 2006 01:25 PM | PERMALINK

Radiohead, Kool Keith, Flaming Lips, Pixies. And, also Kraftwerk (amazing live) which Norbizness previewed as being in the top ten.

Posted by: binky at July 21, 2006 01:35 PM | PERMALINK

Maple? I dimly recall it being a nice burly mahogany or similar. I might just be gettin' old, though.

Posted by: jacflash at July 21, 2006 02:33 PM | PERMALINK
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